12 January 2010

The Watchmen

First and foremost, WATCHMEN - for all intents and purposes is a "genre" movie. Make no mistake, this may not be your run-of-the-mill popcorn flick for the masses, nor a generic date movie for the uninitiated. And with a M18 rating in Singapore ("Mature 18") it sure isn't meant for the kiddies demographic, and rightly so.

From the fanboy point of view, expectations are high, not just the question of it being faithful to the revered source material, but of it's ability to adapt it unto the silver screen - to awe and astound the harshest of pop culture perusers.

What's in store for the uninitiated? An accessible story? An entertaining movie experience just seventeen minutes shy of three hours? Is it worth all the hype it's been building up to be? Does it have as much slow-motion moments, as it did director Zack Snyder's 300? The answers are varied.

The hype will bring both fanboys and the curious to the cinema. The current superhero-slash-costume celluloid-parade will ensure cinema seats be filled, and popcorn overflowing, cascading down the aisles. Let's be frank, folks couldn't get enough of The Dark Knight, had developed a taste for metallic with Iron Man, and can't wait for Wolverine to snikt-pop his claws.

Flawed mortal men and women performing non-mortal feats wearing dark-tight-leather and muted spandex is the eye-candy rage and guilty-free fantasy escapade for the near-decade old millennium, and looks set to last longer than anyone would have dared expect nor imagined it to. We like our heroes (super or non) in costume. Regular joes with superpowers are so reality tv reruns (But I still like me my HEROES ;p). Fanboys rejoice. Everyone else gets a taste of geekdom long since buried under a hush-cloud of shame and ridicule.

FYI: Trailers for TRANSFORMER Revenge Of The Fallen and STAR TREK showed before the Watchmen screening. Man, it's such a great time to geek-out now!

SHORT-VERSION:

- It was as faithful as it could get (IMHO), in an uncomfortable marriage between comicbook-brilliance, and cinematic cheese-cake. Tasty tho. Oh so tasty.

- It was too faithful to a fault, to be able to let the adaptation breathe on it's own. But if you hold your breathe til you turn Dr Manhattan-blue? All will make sense.

- If you dislike ("hate" is too strong a word, but if it be so, then you'd hate this film) Zack Snyder's slow-motion style from 300, then this might irk you. But I heart it to bits, and feels it's justified in the context of freeze-framing a moment within a sequence of moving visuals, very much like the 2D illustrated panels within the pages of comicbook.

- Even I who is familiar with the source material, found it hard at certain moments to catch up with what the movie was trying to tell me, which I fear would alienate those who do not know the story beforehand. The Dr Manhattan-flashback was one key moment which I felt did not transition as well.

- The apprehension of seeing a glowing blue-schlong is softened by the supple nakedness of a femme crime-fighter. I feel dirty after typing that ... actually no, not really.

- The exclusion of costumed super-villains, I feel, waters the movie down a tad.

- Some significant story-tweaks and changes that bugged me at first, but upon gentle reflection, seems the better possible way to engage the audience given the context in modern times, versus the two decade old source material. More geo-political rather than conceptual.

- The pop soundtrack positively glows with nostalgia (I smiled when 99 Red Balloons blared), while the score was a strange and somewhat uneasy fit with the visuals, some parts dragging e back to Vangelis' Blade Runner. Still can't decide if that's good or bad.

- The costumes are darned cool. The actors are quasi-flaccid, with the distinct exception of Jackie Earle Haley as "Walter Kovacs" aka "Rorschach", and Carla Gugino as "mummy" Silk Spectre.

- Yellow is the new Black.

- Is it worth all the hype. Yes, and then some! But then again, I am thoroughly biased in this regard. *cough*


[March 5th 2009 / 2:35PM screening]

[First Reviewed on TOYSREVIL 5th March 2009]

The Dark Knight (Spoiler Review)

***BE WARNED: THIS ENTIRE POST IS FILLED WITH MOVIE PLOT / STORY SPOILERS***

And so for months, the rumor mill and sneak-machines were on over-drive, pumping and leaking info and pics thru the cyberhighway - along with the online virals and "official" marketing hype - perpetrated by all and sundry (of which I'm guilty of, as well) in an information onslaught not dedicated for a mainstream movie for quite a while in my muddled memory, along with Transformers and literally any retro-based genre-flicks in the last 5 years ("Awareness" plus "Memory" is a powerful concept indeed, IMHO) ... and today - on July 17th at 3:50pm (GMT + 8hrs) in a darkened cinema hall at Downtown East, Singapore - ALL my built-up queries were answered within a 2 and a 1/2 hour juggernaut that was THE DARK KNIGHT (REVIEWED HERE - sans spoilers) ... and this particular post will serve specifically as a SPOILER POST for those who do not intend to catch the film, but have questions that needed to be answered immediately.
(NOTE: there are no images contain within).


*STANDBY FOR SPOILERS BELOW*

*Note: Spoilers attached to individual characters instead of directly to story ... gotta leave some for folks who may change their mind to watch the flick, innit? HAH.

BRUCE WAYNE / BATMAN:
- Wayne nearly gets his identity exposed, and nearly outs himself as The Batman willingly.
- has the fortitude to court someone else's (Dent's) girlfriend aka Dawes, but nearly chose to ditch his role as the Batman ... what a dog LOL
- changes his suit becoz he needed to be able to turn his head, and protect himself from dogs - the barking kind, not the skirt-chasing ones.

THE JOKER:
- yes, it is white face-paint.
- no, the facial / mouth scar wasn't that obvious actually, altho he talks about it constantly.
- does dress up as a nurse (to coerce Dent) and a policeman (to kill the Mayor).
- did disguise himself as a dead body in a black body-bag (to kill a mobster), but he was not dead then.
- did not die in the end.
- Heath Ledger was brilliant, altho not genius as everyone has him hyped up to be, IMHO.
- Joker was anarchy personified, but hell, he made a lot of sense in some warped way.
- no, I do not condone his actions.

HARVEY DENT / TWO-FACE:
- does turn into "Two-Face" and not just for a little end sequence cameo - Dude goes around and does shitte in both broad daylight and at night.
- Dent's / Two-Face's face was burnt by flames, not acid.
- yes, it was Dent lying in the hospital bed when Joker visited.
- the leaked images of the Two-Face make-up does not do justice to the final version - not as juicy as peeps indicated tho, but hella scary.
- does use his coin (a little too often, IMHO). and tis a "trick" coin with both heads on each side. one side does get burnt.
- Two-Face will not be in the next Batman movie as he did not have the power to defy gravity ... or did he?

COMMISSIONER JIM GORDON:
- lives to star in the next Batman-movie.

RACHEL DAWES:
- eventually joins her former boss (last "seen" in Batman Begins) for a permanent vacation.

SCARECROW:
- appears only in the beginning of the film and has no relation to The Joker.

TUMBLER / BATPOD:
- The Batpod DOES emerge from within The Tumbler.
- I heart the Tumbler.
- I heart the Batpod.

BATCAVE:
- if there ever will be a Bat Cave, it very nearly was at the basement R&D Department of Wayne Enterprises.
- Other than that, tis a underground bunker near a wharf ... will there be a Part 3 of the franchise to see the completion and operation of the infamous Bat-Cave?

OTHERS:
- Edison Chen shouldn't have bothered with his blink-n-miss cameo, really.
- Chin Han does Singapore proud with loads screen-time with Freeman and Oldman - altho he clould brush up a tad with his Mandarin, spoken amidst the Cantonese-speaking guards (altho no one mentioned he was a HongKonger lah :p)
- mobile phones will rule the world.

[above image via myspace]

[First Reviewed on TOYSREVIL on July 17th 2008]

The Dark Knight (Non-Spoiler Review)

HOW do I accurately describe THE DARK KNIGHT? Tis labeled a "comicbook movie" primarily because of the characters adapted from said genre. But as a motion picture? It transcends that boundary that separates fiction from our pop-culture saturated world, divided by the cinema screens and of our collective imaginations. And in this day and age, if you cannot "imagine", one will be choking from the dust left behind by the concept trail-blazers. And from the get-go, an flashback expositions to Batman Begins is either so subtle, or practically non-existent ... I just sat in silence and let myself be sucked into the void of the Dark Knight.

TDK does not reinvent, it turns everything we might think we know, and expect, on it's heads, grenade in one hand, trigger-pin clenched tight in teeth. Or perhaps that was what I'd felt throughout the two and a half-hour film ... this ain't no feel-good dramedy, and this sure as hells ain't your garden variety superhero-chop-socky popcorn flick either. This could be a serious social movie, dressed up in a bat-suit, a purple coat with smudged theatre make-up, and burnt crisp from the tragedy that drenches the movie in pathos ... but no one has claimed it to be. And perhaps I'm taking this flick way too seriously for what it is supposed to be ... or not.

Whether this impedes an individual's enjoyment and understanding of the film, well, depends on the individual. Convoluted plot to some, direct slice to the jugular for others, and I'm left bleeding. Batman Begins was a Sunday matinee jaunt compared to it's sequel.

A feeling of abject dread & dire hung heavily throughout the film, buoyed no doubt by the numerous hype and built-up sneaks and leaks during the journey from the first press quote to the final walk thru the doorways out from the cinema halls, light flooding thy path and senses ... and yes, I would be the first to admit here - that perhaps the sneaks along the way may not have helped me in enjoying the film in it's sum total. Sure, there are surprises and twisty-knots galore peppered throughout, but by itself, the film didn't just rawk my world, it pulled the rug from underneath me.

I "hate" Chris Nolan and crew now ... becoz now, all other genre flicks may pale in comparison. Good luck to any and all comicbook movies who tries to thread this path in the future, sincerely. Even to Nolan himself, who would be hard-pressed to top this, methinks.

Bale was subtly effective but forgettable. Ledger was brill - tho not as genius as the hype puts him (which is not a bad thing). Eckhart performed his function admirably. There will never be another Gordon other than Oldman. And Caine has the BEST lines of the movie - besides being the moral guide, as well. Gyllenhaal probably affected the principal characters more than anyone would care to admit, the catalyst, if you will...

And really, you can hardly fault the bat-vehicles ... and the suit makes sense, for which they admitted it as much in the film. cool.

Other than that, I am finding it hard pressed to knock the flick off it's by-now-legendary pedestal of public revelry, and I feel I do not need to. To say the movie was breathless, would be a gross understatement. Riding the razor-edge of reality and public expectation (the most dangerous weapon in the Modern Media World, IMHO) - this fictional tale of a caped crusader of the night will echo for quite a while more down the hollowed halls of filmmaking, I reckon. And the bat-ears weren't that obvious after a fashion...

The only moment of falter (for me personally) was the end sequence and words uttered, that reminds everyone (or at least me) that tis a "comicbook-movie" I am and have been watching. Neither good nor bad, tho a tad cliched.

Watch it for what it is, not for what it can be or will be. I have not rated anything on this blog of mine ever for a long while now, but I would bestow a hearty 8 upon 10 for The Dark Knight, only becoz I feel this would and should be the end of this franchise ... anymore and it may not measure up ... I hope I am proven wrong too tho ... heh.

- all images via myspace
- credits on IMDB

[First Reviewed on TOYSREVIL on July 17th 2008]

Hellboy 2: The Golden Army

HELLBOY2: THE GOLDEN ARMY [tagged] is basically a monster-fest. A gloriously gorgeous monster-fest, no less! - courtesy of an indulgent Guillermo del Toro. Make no mistake, sometimes "indulgence" is good, and in this case, it balances out the humdrum acting from the main cast.


/// READ MORE


One can argue that this is "comicbook-movie" in the first place, and not a platform for thespians navigating the shifty craft of "acting" ... And perhaps if you look beyond (or rather close one-eye) the facade of everyone's monster-makeup, it is indeed a pretty enjoyable and most times fun celluloid ride, which frankly ended way too quickly for my warped-tastes.

"Eh? Finish already ah?" - But of coz the ending (or rather end-premise) of the film warrants a third HB .. altho I am pretty liberal with the "warrants", moreso an "excuse" to start one, IMHO - and thinking now (as opposed to what I'd felt a week ago when I first watched it) - if they had proceeded with that story-thread, perhaps it would not be a movie I would want to watch. Not too down with [family] action-adventure type flicks - as inevitably the [offspring] would near ALWAYS be in jeopardy .. and off [Daddy-Red] goes to save [Baby-Red]!

Redemption lies not in salvation. I want to see the HB-world BURN for once, yeh? And it would be glorious at the hands and horns of Hellboy muahahahaha!!!!

The opening exposition was frankly, pretty unnerving, especially with the [teenage Hellboy] and personally, one of the more "fake" and irritating sequences in the entire movie ... not a great start, I suppose ... but said exposition was a quick way to get the lore out of the way, with sweet-ish animation to boot, IMHO.

The story is "straight-forward" and predictable at times - which was fine for me personally, so I could oogle the gorgeous film designs, innit? The amount of details put into every scene - particularly the Troll Market, was a visual-orgy, and a kick-in-the-nutsack for me ...

Why? Becoz this is the sort of movie I'd live to do, in my "previous day-job". But yes, kick-rump designs all around - from wardrobe, down to the fabulous hand-props. Didn't care for Big Baby. Didn't care for The Samaritan. Actually, now that I'm here, I didn't really care for Hellboy himself, really ... I mean, Ron Perlman rawks it, but Red's still Mr. Whiney-Pants. I'm sorry, but "Average-Joe" would still be more dimensional that a flat Hellboy - but I'm sure fans lurve him like he is (:p). And is it just me, or has Hellboy bulked-down since the first flick?


[ditch the square-tit red-monkey. c'mon...]

Frankly, I couldn't help but constantly stare at Liz Sherman. Not just becoz she's a hottie (okay, now I feel dirty for admitting that LOL), but also that her character development since the first movie, sorta felt like it jumped a movie in-between. Besides the obvious wardrobe change and Posh-Spice-hairstyle, I just couldn't vibe with the Liz I remembered from Part One - now tough as nails and rough and ready ... Or maybe I could not take the leap of celluloid-faith as I'm expected to ... pity for me :p


Abe Sapien gets more screen-time and a chance to stretch his gills, eerrr, i mean, acting-muscles - which frankly, was fresh-water refreshing [the toilet-seat joke was funny-ish until they milked it] ... Abe gets to wear nice leather stretchy-pants and look all rockstar-ish (*cool*) and our beloved fish-face gets to [fall in lurve]! Nice touch tho, IMHO.


In an attempt to humanize the boys, both Red and Abe get [drunk] one night and do a [Barry Manilow karaoke] - which was charming for all of the first 15-seconds or so. With the exception of the "newbie" Johann Kraus, everyone else's character arc is near non-existent. Well, except for Liz who finds out [she's pregnant with a hellbaby-bun in the oven].

One thing bothered me quite a bit throughout the film, was the "tone" - swinging between mystery, to laid-back everyday life of BPRD, to the fantasy world - it felt directionless, and yet effortlessly relaxed. And tis not about the pac of the movie, moreso the music they utilized, the multitude of influences made it very much a sitcom than "epic movie" (altho no one did mention "epic", innit?).

The eclectic sounds of David Lynch's Twin Peaks series popped into mind ... hhhmmm ... (but hell, I loved me my Twin Peaks, yo!)

But you can plainly see where all the effort went into: the designs, oh the glorious designs! For both monsters / characters, environments and the fantastical fantasy world of Hellboy! Frankly I'd rather they leave the "humans" out of the equation, becoz they pale too much to even mention. "Monster-fodder", I call them...

HELLBOY_BRPD

And of coz the FX, for which Guillermo pulled out all the stops for, utilizing a multitude of visual imagery to get his story across. Fans of special FX and/or animation would be in for a treat of treats, I dare say.

HELLBOY_JOHANN

A week ago I was literally gushing at Hellboy 2: The Golden Army - mindscape bombardment of stunning visuals ... and a week later, I can barely remember parts of the movie - which I had to squeeze out of my senile brain, to attempt to write this review my personal impression of this movie. Altho the ride was indeed sweet and magical when I first sat thru the movie - now I am hard-pressed to rave about it. Not that it was that bad, but perhaps to me - forgettable, regrettably speaking ...

But to be sure, I'd recommend this to anyone who are fans of this genre, for which it is pretty hard to place actually. All action and adventure, comedy at the best of times, flimsy-homage at the worst (Is it just me, or is the Men-In-Black parallel at BRPD-HQ a tad disconcerting?). And the kungfu-chop-socky bewildered me a little - neither here nor there, with Prince Nuada rawking the pugilistic world of Faeries, Elves and Trolls ... Pathos reserved for the monsters, gut-wrenching in it's quasi-subtility, IMHO ... but yes, the visuals are beautiful. I may just go get the Behind-The-Scene book instead of the DVD ... maybe?


And frankly, maybe I'm just taking this flick more seriously that I should, remembering that I'd not had high expectations of it to evolve beyond the enjoyable (but dismal) first movie - for which it HAS evolved beautifully - aesthetically, I insist ...

And at the end of the day, I may well consider getting the DVD for keepsakes ... and of coz to oogle at Liz Sherman/Selma Blair ... heh.

[First Reviewed on TOYSREVIL on July 16th 2008]

HULK

This is all I have to say about the new re-invisioned HULK:
SUPERHULK
"Hulk thought it was "costume-crossover"? ... ... Hulk hate puny toysrevil..."
CRACK-BETTY
*heh*

Iron Man

Even before stepping into the cinema hall, i knew the only way to enjoy this movie is if you're either (A) a FAN-Boy or FAN-Girl (FB/FG), or (B) the General Public (GP) - I have left out the distinct category of any wannabe-celluloid scholars or thespianed-traditionalists, who seeketh celluloid enlightenment and brilliance in a fantasy-make-belief world on the Silver Screen, who would perhaps find this movie a harder morsel to swallow (based on the numerous detractors I've been reading in local print) - especially with a predictable plot filled with bullet holes, somewhat cheezy-dialog and even a sheer lack of common sense - much less enjoy for what it is, which is a live-action adaptation of a comicbook superhero character who wears an iron-suit of armor (oops, excuse me, "titanium alloy") who can fly and beats down on bad guys ... BUT that is not to say that this movie is brainless or without recourse, NO - for this IS a smart film on the brill-side, with a thumping heart at the core of it (Arc Technology or otherwise :p).


And if you be a fan, I am happy to say that you may not be disappointed, and perhaps even surprised at the thoroughly enjoyable ride (at least I did) - with the taste indeed sweet and perhaps even with a memorable lingering after-taste, manifest by that smile on your face and even a spring in your step (Repulsor-technology, notwithstanding, of coz). And if you be an esteemed member of the General Public who happen to wonder by this blog? All I dare say to you folks is - to prepare yourselves for a really cool ride, IMHO :)

REMEMBER TO WATCH THE MOVIE UNTIL AFTER THE CREDITS ROLL, for a "Surprise Prologue Sequence" - and it's a doozy, IMHO :)

INTRO

The anticipation of watching the IRON MAN Movie had kept me awake for the better part of the early morning, until I popped awake barely enough to make it to a 11:30am-screening at Cathay @ Downtown East E!Hub. The journey took less time than it was to wait for the bus. A cinema 15 minutes away from home is a very welcomed development indeed and a precursor to more expenditure, I reckon :p

Superhero/Comicbook-adapted movies has come to the forefront of the general consciousness and media acceptance (altho not totally "understanding-of") and has never been as hyped and marketed as they do in this day and age, what with multiple Viral marketing, promotions and a deluge of coverage that threatens to engulf online netizens (least of me my humble blog LOL) who dwell in this particular www-realm, for sure the genre is carving out it's own niche in celluloid-history, it remains some time before it's acceptance into the pantheons of "recognized filmmaking" (via the traditionalists and thespians) is as accepted and welcomed, as the fans of this genre, IMHO. With vaulted peers as The Dark Knight, Hulk, The Watchmen and it's ilk, IRON MAN stands poised to go down in history as the movie that did ... as for what it actually did, I'd only dare to speculate on it's intent and reactions, by my own personal opinion. And hopefully, when YOU folks have seen the movie, we could all geek-out over it together :)

GOOD TRIUMPH OVER EVIL

GP will no doubt be entertained "effortlessly" with this feel-good morality tale. Good heart triumphs over Evil. With loads of hi-tech and a tinge of (both manufactured and natural) sass thrown in for good measure. But of coz this is my own biased opinion, and it is hard not to be biased, as evident in my coverage of the movie's progress on this blog and the dedicated fanblog, innit? So i'd not pretend much to know what it truly feels to watch this as a third-party observer.

In the ideal-www-world, I would have the funds and/or ability to invite varied members of the public (ie: folks who don't give a shit) and reader-fans (ie: friends who give a shit and reads my blog too LOL) to watch this flick together, followed by a rousing post-mortem session, but alas, my resources are practically non-existent and here I am going on about my lone experience of the movie... heh.

FANMOVIE

To wax lyrical about the coolness of this fanboy-movie would be "tricky" - because there is very little one could do to pull a fast one over a FB or FG. To me, the filmmakers and actors had fun doing this, and it came out feeling so too, not that it was tomfoolery all around, but the vibe and jazz seeped thru, IMHO. There is a subtle spring in every step, a nod here and there, and the occasional *wink-wink* without the obvious in-your-face-wink-wink, that perpetuates comedies or even Rom-Coms.

Although, make no mistake, this is not a Comedy (per se). This is a straight forward dramatic telling of a story of a Man's fall from his charmed pedestal in life, to the redemption of his soul, via technologies that empowers him, literally. Tinged with both good natured and dark humor. A Vwry nice mix indeed, IMHO. And remember, this is a live-action adaptation of a comicbook character, understandably not as well known as say, Spiderman, Superman or Batman - but well known enough by his fans, and perhaps providing more leeway in terms of development, without the burden of past history (IMHO) - NOT to say tis warranted a discount on quality, for this product is an excellent example of said product done right. And for sure, FBs and FGs are not forgotten in this incarnation.

NODMENTS & AUTHENTICITY

"Nods" pepper the film. From the Mandarin-inspired "Ten Rings" = the name of the terrorist organization which kidnaps Stark (for the uninitiated, one of Iron Man's main foe was The Mandarin, who wielded ten rings of differing powers) - to Stark's mildly-sarcastic A.I. with a British-lit named "Jarvis" (Jarvis was the name of The Avenger's butler - someone mentioned "Paul Bettany" but I've yet to be able to find a confirmation for tho).

EFFECTS

It's a fun ride because it felt authentic to the source material. The suspension of disbelief is especially tricky for a film such as this, which I felt was carried off effortlessly (as mentioned above) - primarily due to the special effects, which were convincingly addictive. I'd stopped trying to pick apart the effects the moment I saw MARK-2 glistening in the workshop's spotlights. It was subtly oblivious and a wonder to behold, so much so I'd stopped looking out for them, and just went along with the ride. And the more I saw, the more I wanted to see.

CG-effects and real-life mecha-constructs merge as one. Besides the obvious flying sequences, the "Armor-On" and armor-specific sequences were exceptional and had this fanboy's heart pounding (no, I will not confirm woody-status). Kudos to Stan Winston and Co. Nothing more I can add to the gushing already, I reckon. Dammit, if only the toys were just as awesome, IMHO :p

PACING A COMICBOOK MOVIE

The pace was pretty evenly spaced out, which helped the film "breathe", I reckon. The set pieces were insanely FB-cool, especially with the MARK-3. When the fully-functioned armor was put thru the test in foreign soil and being intercepted by the US Air-force. The final confrontation with the Iron Monger was too short (but because I am greedy) and ultimately ended sooner than expected, and perhaps less than satisfying, but only in terms of duration, for the actual fight was pretty fast and furious, and to the blunt-point, as one may expect from a coupla dudes decked out in high-tech battle-armor - no nancy-boy shennanigans, this, IMHO ... although I wondered, how the heck are "they" going to top that? LOL - But I appreciated that it was a straight forward slugfest and beatdown, without intellectualizing it too much (Villain monologing notwithstanding).

BELIEVING ORIGINS

A problem that perhaps quite a number of past flicks fall trap to = "over-intellectualize" the origins of the powers and story, trying to explain it to the masses and the hardcore theorists, while loosing it's wonder and awe of a fictional fable of people imbud with powers beyond mortal men. No, I'm not saying glossing over the story and take the viewers as idiots to be fed byte-sized deep-fried nuggets, but neither is feeding them a posh steak going to help them digest it better, IMHO.

SUPERHERO MOVIES ARE FASTFOOD

If push came to shove, I'd consider superhero movies, hamburgers instead. Fast food / Junk food, no doubt, but enough as a meal, without any guilt of expenditure or excuse needed for it's consumption. For as sure as Tony grabs a cheeseburger out of an obvious Burger King paperbag (enroute to his press conference after being rescued from terrorists), this film came out as a satisfying meal, flippantly so.

For the fans, there is already a built-in understanding of the story and how the plot moves, front or back - the Opening Sequence with the flashback is comicbook-worthy and inspired, I have to say, which i relished with abandonment LOL.

FORESHADOWING

Attempts to discover "Foreshadowing"-elements of the movie, would perhaps be pure speculation on my part - but hell, tis fun to speculate (at least for a FB) and one of the many include Stark holding unto a glass of liquor in the opening sequence, and even Jarvis asking Tony (after MARK-2's test flight) about compensating the armor for outer-space adaptability (Skull/Kree-War anyone?)

CONFESSIONS OF A NON-TRUE IRONMAN FAN

I've never been what may be called a true hardcore-fan of Iron Man. In fact, i've always felt he was pretty weak as a superhero, not becoz of his technology-based powers, but of his limitations due to said technology. In the "powers" arena, once the juice runs out, or better still, an EMP hits (Electro Magnetic Pulse), dude's left with a heavy clunker of an armored suit, struggling to stand straight with the weight of the suit, no less. So the charisma of the character lies with who wears it instead, innit?

THE MAN IN THE IRON ARMOR

And for sure, Tony Stark's comicbook character-arc is not too multifaceted, and may even be argued to be 2-dimensional (IMHO), so there really isn't a stretch of imagination to see him "develop" or even evolve (current comicbook incarnation circa Civil War notwithstanding). With this movie, it is simply "Pre-Terrorist-Capture" and "Post-Enlightment-Upon-Escape" - Stark "grew" during his period of capture, and "evolved" along with his tech, so to speak.

And with this, i have to admit, the Iron Man character (as much as it wowed me) took a slight second seat next to Tony Stark (weird primpy eye-liner/lash makeup on Stark, notwithstanding - looking ever so slightly enhanced) who is played to a sweet-T by Robert Downey Jr. There is no one i can imagine being in this role, so don't even try. Casting brilliance, even.

But Stark as an intentional mass murderer? This was a pretty hard aspect for me to swallow, especially when he'd acted nonchalantly after the fact, and even brazenly killed thereafters. The moment he walked out of the cave in his Mark-One suit, and fired into the terrorist occupied grounds, Tony killed without remorse. And when he flew into foreign grounds, this time in an upgraded Mark-3, and killed even more terrorists, no one held him accountable. Not even S.H.I.E.L.D. for sure, the character may be living out the fantasies of general populance, with regards to non-sanctioned action in lieu of geo-politics and red tape (i've certainly had my fair share of fantasy / imaginery justice met out to those i've felt deserved their fates) - perhaps the more level-hand would be well advised, IMHO ... altho one thing to note, no spilt blood was shown throughout the film, in my memory tho. wow.

SUPPORTING CAST

Jeff Bridges as "Obadiah Stane" was excellent and wrought with relish, whose life ended by the movie's end (Or did he?). Gwyneth Paltrow as "Pepper Potts" was pedestrian, and may have been replaced by anyone. Make no mistake, she was good in her role, and perhaps with someone else cuter in her position may make for a different vibe, but that role isn't as fleshed out as it could (which they nearly did, with a failed veer into Rom-Comdom) and may be in subsequent sequels (with the by-default possible/nearly romantic-interest mascarading as the anchor of Stark's heart) - pretty girl tho she may be (I have to say tho, her wardrobe was atrocious, no fault of her, I reckon) ... And frankly, I personally did not warm up to Terrence Howard's "Jim Rhodes". No commanding presence (of course he had to play second fiddle to Stark, granted) and saddled with a somewhat whimpy-dismeanour, the straight-man to Stark's nonsense - as evident by this numerous reactions to Tony, like whining over a bottle of wine on the jet-plane, the "military-exercise" press conference etc.

When he looked at the silver MARK-2 armor hung up in the workshop, after seeing Tony fly off in the MARK-3, and said (something to the effect of) "next time baby" (an obvious nod and prelude to WAR MACHINE), it was contrived and perhaps not as effective as when Jim Gordon said "I gotta get me one of those!" as Batman drove the Tumbler down the narrowed streets of Gotham ... but that's just me. Or perhaps that is or will be one of Rhodes character-arc? For when he ponies up to be a military-man with an-iron-suit and combat-mentality and training? Now, that'll be a scenario to look forward to, IMHO.

OFF THE WAGON

Much has been said about Tony Stark's alcoholism, especially soundbytes in media, in reference to authenticity of source material. Fair enough, because they are but soundbytes after all. From non-fans. Even if the foreshadowing of Tony, glass hand, as he rides the "Fun-Vee" may escape folks.

And if anyone wants to witness the hero's dismal fall into the abyss of destructive alcoholism, perhaps may be sated with the next installment? Permit me to speculate, for a "hero" has to discover his/her "heart" and ideology first (Part 1), followed by his/her fall from grace due to whatever factors, personal or external (Part 2) and of course ends with the inevitable redemption and rise to glory once again (Part 3). So enough with the alcoholism tagline already! ... Although that may fuel the actor to go further into his acting range (and would Downey ever get a nomination for Best Lead Actor in a Dramatic Role in a Feature Film?).

THE BEGINNING OF THE END

By the time the credits rolled, it felt too soon, as if you've had a taste of the appetizer but the main course denied you - fair enough, for this is, for all intents and purposes, an Origin Tale - which attempts to "educate" the masses, to ensure putting more "informed" butts in seats in the sequel subsequently. And I personally adore good appetizers, so this works enough for me, for now, to tempt and tease me for the future to come (and how delish the "promise" of it may be - peep bottom of post)

WHAT A GOOD MOVIE MAKETH

Although my personal gauge for a "good movie" is wide and has become very forgiving, points given to being "entertaining" rather than "technically proficient" (hang-ups from my "previous" dayjob, no doubt) - One of my main barometers these days, is if after viewing the film, I would still want to buy the DVD (for the making-offs etc). This movie does not feel like it for me, unfortunately (for the filmmakwers perhaps, but my wallet;s not complaining much LOL). Or perhaps tis my wallet doing the thinking instead? Or maybe I need to be brainwashed even more, by playing with the TOYS! LOL

SURPISE PROLOGUE END SEQUENCE YOU CAN NOT MISS

When Samuel L Jackson's "Nick Fury" appears in Stark's living room by credit's end, the wee bantering were but a faint memory (for me) except for the key phrase: "I want to talk to you about the Avengers Initiative" - man, i nearly wet me pants! (and I Meant it literally, because I was holding-it-in for dear life by the end of the film ... loadsa soda + freezing cinema = personal storm-in-a-tea cup) ... and that was a pretty sweet sendoff to the fans, if ever were the intention, IMHO. If this be a faint premise for an eventual Avengers Movie Collector's Box-Set a decade from now, maybe I would have to consider getting the DVD? HAH.

Go watch Iron Man, and then we'll geek out together :)

[First Reviewed on TOYSREVIL on April 30th 2008]

Sneak Preview of Transformers Movie

the e-invite wrote thursday morning 930am.
the event: a 22-minute sneak preview of Transformers.
the mood: anticipation and utter jubilation for the opportunity.


There were 4 scenes in all, with the UIP-rep mentioning that they are generally incomplete, with temporary music and effects/CG to be polished. these are the scene breakdowns, as clear as i can remember them:


:: BLACKOUT ATTACKS AIR FORCE BASE ::

- we start with a squad of soldiers enroute back to camp via air transpo. the camaraderie is set-up (which i can only assume will be manifested in the later part of the flick) with Josh Duhmel (Las Vegas / aka Mr. Fergie :p) and Tyrese Gibson 2Fast 2Furious) and their crew giving Amaury Nolasco (Prison Break) schtick for speaking Spanish all the time and not being able to understand him. Duhmel speaks about just wanting to go home to see his newborn daughter (which awkwardly sets up the premise of "hope" and family - aka. "something to fight for", IMHO :p)

- blame it on Hollywood or even Ridley Scott, but whenever i see helicopters flying thru a desert, i'd immediately reference Black Hawk Down - and not that that's a bad thing really, becoz tis the military-macho adds somewhat to the tension and anticipation that ultimately builds up to the first transformation by Decepticon BLACKOUT that literally took my breath away.

- plane lands and we see soldiers chillin' out everywhere, and i mean "everywhere". the air force base looks like a giant holiday summer camp. i'd understand setting up the "calm before the storm"-premise, but this was borderline "staged" (but then again, i've never been on an US air base before, haven't i? HAH) ... of coz the not-so-subtle foreground shot of a Stealth plane as the camera cranes down to soldiers walking the air-strip, reinforces the "military" power aspect ...

- Captain Lennox/Josh Duhamel speaks via webcam to his wife and new born daughter at the entrance of the command centre. the sense of "family" and love is instilled at this point. all this transpires amidst the chaos brewing slowly in Ops Command, where an unidentified helicopter had been spotted. attack planes have been dispatched to escort it to the air base.

- for me, the anticipation was building up to fever pitch, which in a way deprived me of the joy of "surprise", as i'd read about the preview online much earlier and hence knew what was going to happen ... but happen it did and i was still breathless LOL

blackout01

- from the fleeting flicker of the helicopter's pilot's face, to the second the helicopters' rotor blades flick back = the transformation of BLACKOUT is awesome cool, IMHO. with mondo-more transforming gadgets that i'd expect and that for me, raises the bar in terms of "transforming robots" other than the regular cartoon transforms transfans've been used to all these years ... actually, Blackout takes quite a while to transform (more gears and parts to move).

blackout02

- what was "retro-cool" was the sound of the transformation, likened to the familiar "ek-or-or-ek" of the cartoons! LOL dunno if they'll eventually keep that in the final movie version tho :p

- BLACKOUT peppers the base with missiles and gunfire, tanks are flipped and soldiers are still firing unsuccessfully at the Decepticon. an EMP (Electro Magnetic Pulse) is is unleashed and crashes the electronics of the base.

blackout03

- BLACKOUT rips into the command HQ and reaches for what seem to be the central core and siphons data (intelligence) of what seems to be details of Sector Seven (unconfirmed, just a hunch). the close-up of his mecha-hands reminds me a tad of the ABC Warrior Robot in Judge Dredd, not polished mecha-work, but rough and rugged bruiser-ish vibe. *nice*

- Tyrese somehow gets himself beneath BLACKOUT, literally at his foot and nearly gets stomped on, but suppression fire from fellow soldiers covered his retreat/escape. a quick release scene of SCORPONOK out BLACKOUT's back sees him burrowing into the desert ground.


:: SAM AND MIKEALA'S FIRST OFFICIAL ENCOUNTER COURTESY OF BUMBLEBEE THE WANNABE MATCHMAKER ::

- Sam Witwicky and his bud drives thru and into a park area. they get out of the car and walks up to a buncha Football jocks , with Mega Fox/Mikeala hanging about. macho posturing words were exchanged and Sam is embarrassed. Mikeala eyes Sam intently (dunno why leh)

- Football Jock makes a comment about girls riding in the backseat like "good little bunnies" when Mikeala asks to drive his car. Mikeala dismisses the notion of being a bunny and decides to walk off by herself.

- Sam hesitates, while the Car's "Drive" is pumped out of the car stereo. his bud asks: "so what are you gonna do?", to which Sam replies that he'll "drive her home". Sam rushes his bud out of the car ... "Bros Before 'Hoes" works not, in the case of Megan Fox (which i can't blame Sam tho LOL)

(*note* = Bumblebee speaks not a word in this movie, he uses music from the stereo to provide both his "voice" and as comedic effect and it sorta works lah)

- Mikeala accepts Sam's offer of a ride and drives off together in his beat-up old 1974 Camaro (Bumblebee). there's a literal cartoon bumblebee hanging off his rear-view mirror, with BEE-OTCH written on it (*snicker*). thru their conversation, Mikeala has never noticed Sam before, even when Sam has been around her since the first grade. heart melts slightly for him, in the cheesy teenage-angst-movie-way (LOL)

- they end up driving to a cliff-side location, when Bumblebee decides to "break down" ("car breakdown", i mean) Marvin Gaye's music pumps from the stereo ... oblivious to the "romantic" set-up, Mikeala gets out of the car to inspect the engine. the hood is popped and Mikeala shows that she knows her mechanics (inherited from her dad). Sam fumbles like nobody's business LOL

- gratitous shots of Mikeala. Sam drools. my nose bleeds.

meganfox


- deciding she couldn't fix the car, Mikeala decides to walk off by herself (again), while Sam pleads with Bumblebee to start up and he does, while playing Player's "Baby Come Back" from the stereo. cute lah.


:: TRANSFORMERS HOUSE PARTY ... NOT! ::

- Optimus Prime, Bumblebee (who is by now the supped-up brand nw Camero), Ratchet, Ironhide and Jazz drives down subarbia towards Sam's house. they park at the side and Sam rushes off into the house, while telling Mikeala to look after the Transformers. at this point both of them know about the Transforming robots and are searching for Sam's grandfather's glasses (which contains the Allspark-code), in his bedroom.

- Sam's parents talk about grounding the boy, while watching television and generally creating another round of confusion for him. standing at the door way negotiating with his dad while Bumblebee and Optimus Prime had converted into Autobot mode sneaking around the backyard was quite farnie.

- personally i "appreciated" the concept of Bumblebee not being able to speak, as he would be able to portray more "animated" gestures (for communication) as compared to the other Autobots. Optimus speaks (and yes, he had a "mouth") and so did Ironhide.

- Dad goes back into the house, while the rest of the transformed Autobots roamed the big-ass garden, with Optimus stepping on (and crushing) the garden fountain (he says: "my bad" = cringeworthy) and Sam's little chihuahua pees on Ironhides feet, whereby he trains his weapons on the little pooch. okay, cheesy farnie, i admit ... *heh*

- Sam goes up into his room and searches frantically for the item. Mikeala was then carried unto the window ledge by a Optimus. one of the more farnie scenes was when the Autobots transformed back into cars and basically parked randomly at the backyard. "this is not a truck stop" ~ shouts Sam.


- Autobot-searchlights food the house, alerting Sam's parents and they burst into Sam's bedroom. the chaotic banter between parents and Sam was pretty farnie, with his mum asking if he was masturbating (LOL) and suggesting calling it "Sam's Happy Hour" (or was it "time"?) Shia LaBeouf is excellent here, IMHO.

- Autobots scamble in the backyard to keep quiet, while Ratchet clumsily trips and falls unto a electrical-tower, causing a blackout in the neighbourhood.

- black government-type vehicles races down the street and pulls up outside Sam's house. John Turturro's Sector Seven anal-retentive team-leader knocks on the door and invites himself in, while the rest of the team search around the house. after a "radiation check", it was determined that Sam has had "direct contact" with the robots and was cuffed and led away.

- personally, even tho the effects and CG was yet to be completed for some parts of the robots, it was a sheer surprise and delight to see the Autobots "come to life". i enjoyed it moreso becoz i'd since given up on the notion that these Transformers were not going to be anywhere near the designs of the cartoons of my childhood, and what i saw made me want to see even more dammit LOL


:: SCORPONOK ATTACK ::

- the squad we first saw in the first preview scene were patrolling the desert (why i dunno). we first see Scorponok's sharpened spike directed at the back of Capt Lennox. the squad opens fire at the Decepticon and are then chased to a desert-town. muncho-fire power and explosions ensue. this is basically the action-packed segment of the preview.

- Lennox escorts a little boy (first seen in scene one) into his house and asks for his father's phone and using the mobile phone tries to call the pentagon for support, to which a Middle-Eastern Call Operator calmly delays the conversation, asking for a credit card number to facilitate the call. farnie the first time round only, im afraid.

desert


- the call gets thru and Tyrese briefs the ops personnel on location. Jon Voight appears in this scene.

- attack jets are scambled and destruction is rained down on Scorponok, who beats a hasty retreat, leaving behind a severed tail-end in the struggle.


BONUS TRAILERS:

we were treated to big-screen versions of the recent TV Spots, "HIDDEN" and "DESTINY" - which were a tad too pixellated and seemed to finish faster then seen online! (big screen effect, i reckon) - nice treat tho :))))


WRAP-UP / OBSERVATIONS:

- i couldn't genuinely gauge the audience reactions, with the vibe generally of folks who might not have been aware, if not "transfans", as the reception to the images were generally mild. no wild cheers. quite a bit of laughter where they are supposed to be and gentle applause.

- i had a couple sat next to me, with the lady clapping politely. a dude sat behind with his mates were irritatingly rattling off the names of the Transformers as they appeared. were his mates really that clueless? as much as i wanted to cheer and shout, i realized that this might not be the crowd to be in. for sure they might catch the movie (Singapore's Hollywood-intake is undoubtable) but i know not for sure how Transfans would react to this movie tho.

- As a casual Transfan (i dare not claim otherwise, as compared to the "hardcore naysayers"), i enjoyed it immensely, becoz as mentioned, i'd given up on the notion of the old cartoons and have decided to enjoy it for what it is, and not what it could be, IMHO.

- I had a conversation with one of my film students today (he's in his early 20's), and he immediately panned the movie, based on Michael Bay's involvement alone. which i think it's a pity, for regardless of his style (which folks either love or hate) this movie i reckon is gonna be one of them blockbuster hits irregardless and i reckon tis gonna be a wild ride!

- the UIP-rep (i assume) mentioned that the movie was gonna hit in June, which i thought was 4th of July? anyways, regardless of the timeline, and that i've already read about the preview prior (which did take away a bit of the surprise), it was fabulous to see it with my own eyes and it sure whet my appetite for Transformers even more than it already had and i'd definitely be counting down the days leading up to it's debut!

- i wished i'd thought of offering to buy the Autobot ink-stamp used to identify the preview folks who were invited:
*heh*

my sincere thanks to Deborah of UIP for the preview opportunity and look forward to Transformers definitely :))))

linkies:
- Cowboy Caleb's summary
- Images of Qatar Set on location
- Primary Reference and Support Details on Seibertron

added:
youtubed-trailers for HIDDEN and DESTINY (wif no watermarks - but sorry about the "stretched" format tho :p)


HIDDEN (brightened version here)


DESTINY (brightened version here)

[First Reviewed on TOYSREVIL on April 20th 2007]

Cloverfield

MY POST-MOVIE OPINION:
if the success of the movie Cloverfield [tagged] was JUST about the monster, than you may be a tad disappointed (i was ever so slightly) but thankfully it wasn't just. it was also about the people involved and who were caught-up in the circumstances of the situation. the "found footage"-concept worked really well, in this respect, IMHO ... i remember being utterly nauseous during Blair Witch Project (which i actually hated with a vengence) but this "technique" worked really well, at least for my warped tastes (*cough*) - altho there were many a times i found myself nearly shouting out to Hud (the cam operater) to point the blardy cam towards the ruckus where the creature might be! LOL - that said, i was immersed into the feature as events unfolded in rapidly and unrelentlessly, and all i can say is, time flew by ever so quickly and i nary had much time to take a prolonged break from the frantic sequences. well done to everyone involved in the making of the movie :)

altho far from being the spectacular movie that everyone seems to be so hyped about, "surprisingly" including myself (*cough* - or maybe im just jaded this way), it was nevertheless an enjoyable flick, surviving the hype, as it were (and im both a sacrificial-lamb for hype as well as naysayer LOL). and if you plan on having popcorn? please do finish them before Lady Liberty's head lands on the streets, becoz after that, your attention would be on the screen and the motley group of folks trying to survive it. and im not talking about the cliched celluloid heroes or the soldiers - im talking about the "everyman", the Joe-Blo, you and me. what would WE do if this had happened to us? what would we do to survive? but does everyone walk out of it alive? watch it til the bittersweet end.

although i haveta say, my initial rendition of the Cloverfield-monster was waaaaaay off LOL (even tho it was done tongue-in-buttcheek :p)

caught an afternoon-screening alone and have been racking my muddled-memory since, for at least a decent sketch of the creature (where my photography-plans fell thru ggrrrr) which i'd still feebly attempt here in this post

***SPOILER ALERT*** AHEAD!

THE STORY:
straight forward with slight twists that we may have recognized from countless other horror/suspense/monster-flicks, but seen in a "new light", or at least different POV (which is not a negative). Rob Hawkins is leaving the country to go to Japan for a new job. his bro Jason and girlfriend Lily sets-up a surprise party for Rob. Hud's the appointed "video-documentarian" - who at times is a real pain (the sorta friend you wanna smack in the head LOL) especially when he meets his crush, Marlena. Beth turns up with her date. Rob is devastated (he slept with her priors - she is hawt, reminds me of Megan Fox = yumz). Hud tells EVERYONE about Rob bangin' Beth (head-smacking worthy move, that was LOL). Rob and Beth exchange words and she leaves the party. Jason and Hud confronts Rob about his feelings on the fire-escape. from then on, the action starts and is unrelenting.

from when the head of Lady Liberty crashes unto the streets, everything goes nuts. the shitte hits the fan and when it does, you go along with the frantic ride. everyone heads towards the bridge to get out of town, and Rob receives cellphone call from Beth, who says she's trapped in her apartment and cannot move. tragedy ensues next.

THE MOVIE & MANGA CONNECTION (a Side Note):
at one point in during Rob's party, when the earth shakes and lights blackout for a moment (after the fire-escape scene) - everyone is glued to the telly, with the news report going on about "an oil tanker capsizing" - this ties in very neatly to the online Cloverfield Manga [read more via ComicBookResources] - where the last page of the manga shows a chained creature coming from beyond the depths = which may essentially be a prequel to the movie? = *sweet*


via Hud's camera was a quick-glimpse of a beached and destroyed (possible) tanker on-shore. with a headless Statue of Liberty next/close to it! so mayhap the manga showed the rise of the creature, whereby it promptly laid waste to both the statue's head and the tanker, before it climbed on-shore to wreck havok in the city? *noice*

meanwhile, the entire movie-storyline is revealed on Cloverfield's wikipedia-page, in near detail (no less) LOL :p

COVERT CLOVERFIELD-MONSTER SHUTTERBUGS TAKE NOTE:
whatever glances of the creature are quick and swift, lasting no longer than 3-4 seconds (at least for first half, 1/3-ish of the flick). i didn't keep track of most of the "earlier" appearances (i was too riveted with the action! LOL) ... but whatever little sequences i can remember; are as follows:

(1) creature captured on plasma-screen via News telecast in the electronics store (when Rob goes in to look for spare HP-batteries). pretty exciting, IMHO :p

also see the parasites captured on telly. soldiers get mangled. alien-hugger but much, much bigger LOL


[closest approximation image / via Slashfilm.com]

(2) when Rob, Lily, Marlena and Hud gets out of the electronics store to go look for Beth, and the military scrambles down the streets firing everything they've got at the creature. slight but decent-ish glimpses, especially when they run towards the subway stairs (hard to anticipate when, so standby cams during street-fight-scene, yo!). the creature faces head-on at Hud's camera for about 2-3 seconds (looked like a rattle-snake's to me tho, at least in teeth and facial-form, IMHO)

(3) not main creature, but it's "parasites". walking down a darkened subway tunnel - which ain't the brightest thing to do, especially when you see hoardes of rats scampering the other way. the rats know. follow the rats and RUN! but of coz, our intrepid group stares back into the darkness, until Rob turns on Hud's camera's night vision. fuck me.

(4) parasite-alert! everyone makes it to a make-shift shelter and emergency hospital, and a parasite is wheeled past the camera, encased in a glass-box. guess who doesn't make it to the next scene?

(5) Rob, Lily and Hud climbs 49+ stairs up a building, to jump across another (who has since been toppled over and leaning against the one they are climbing) to get to Beth's apartment. and when they go back after getting Beth? guess who's rampaging in the background? standby cameras, yo! LOL

(6) dateline to get out of Manhattan is 0600hrs, where the last helicopters will leave, before the hammer strike decimates the city. from there on in, loads of creature appearances. snap away, my celluloid-friends!

(7) seen from atop a helicopter was a top-ish shoot of the creature, prolonged about 10-seconds on and off (i may be wrong in my estimates and may be longer)


[sketched in cinema when the lights came on. the face/head should be a tad "longer"]

[sketched later at home, based on faded-memory - more snake-like]

seen from top: creature has a V-shaped body (quasi duck-webbed-feets/membrane sorta feel :p), with nigh-elongated arms/forearms, and when he moves, tis more like crawling with front arms and hind legs rather than just on hind legs (which you do see quite a bit first half of movie-appearance). the shoulder-region is arched back - which again reminded me loads of Dark Crystal's Landstriders. you could see the spinal-column reaching all the way til the tail. the tail is not sharp-ended but with a quasi-fin at the end, but i cannot remember it that well now to do a sketch tho (dammit). and i really can't recognize nor remember the humaoid-ish hands out of the creature's body (as seen in sketches thus far tho :p)

and it's fingers are extremely long and skeletal-floppy LOL - which you can see clearer when the creature gets shot at with drop-bombs and his hands brace against an entire skyscraper and dammit tis huge!


these are from the design sketches floating around the www now, which i've approximated certain portions of which may resemble the creature on screen.


[note the highlighted areas]

(8) and just when you thought the creature was nullified and that everyone's in the clear, guess who takes a swipe at the helos from amidst the dust-clouds? i had an honest-to-goodness OMG!-WTF-WTF?!-moment here LOL

(9) once the helo goes down, get ready your cameras. from here on in, tis loads of close-ups of the creature, lit by daylight (day-break, remember "0600hrs"?)


[Camera looks up on the creature, guess where's Hud standing? *yikes*]

i kick myself for not whipping out my digi-cam. kick really, really hard. becoz the camera stays on the creature's face, long enough for it to look at Hud, imagine how Hud'll taste like if BBQ'd, or deep-fried, or sauteed, or ... (you get the picture) before he decides it's humans-tartare-time and opens up it's mouth. the face reminds me quite a bit of Predator's tho (whereas 2/3rds of the movie, a quite-flash of it's head looked like a rattle-snake's - mentioned above)


[creature staring straight into the camera!]

my coloring is off, tis more dark warm grey than brown. the reds at the side of the temple actually pulsates (like breathing) and returns to it's original skin-tone thereafters (before having making breakfast out of Hud).

you can guess the ending. a nice little cliche made bittersweet. and the credits roll. the only time you hear a soundtrack/music (other than during the party itself) is when the credits roll. and it was goose-pimple-inducing, for me anyways ... but unfortunately the lights had already gone on in the cinema during this time, and the cleaner-dude sashayed past me a few times clearing folks' discarded drinks ... so much for the complete celluloid experience, ennit? *heh*

"Incredible":


[all colored creature sketches via Slashfilm.com]

UPDATED 16 Feb 2008: images of the Cloverfield Monster has surfaced online, as well as a 14-inch tall Cloverfield Monster TOY from HASBRO! [peep]

CLOVERFIELD_MONSTER
CLOVERFIELD_MONSTER_TOY_01

[First Reviewed on TOYSREVIL January 17th 2008]
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